The Blue Book Says:
LES PAUL 25/50 ANNIVERSARY
– single cutaway Les Paul-style mahogany body, carved maple top, set five-piece mahogany neck, 22-fret bound ebony fingerboard with slashed block inlays, bound headstock with black overlay, Gibson logo, and Les Paul 25 over 50 inlay, three-per-side metal tuners, tune-o-matic bridge, TP-6 tailpiece, raised black pickguard, two covered humbucker pickups, four black barrel knobs (two v, two tone), three-way pickup switch, coil tap switch, gold hardware, available in Black, Cherry Sunburst, Natural, or Wine Red finish, approx. 3,400 mfg. 1978-79 only.
Add10% for Natural finish.
Add 10%-20% for highly flamed maple top.
This guitar commemorated 25 years of the Les Paul Custom, and 50 years of Les Paul’s continuing career. It features a regular serial number as well as a limited edition number on the back of the headstock.
The Les Paul Forum says:
An ad in the November 1978 issue of Rolling Stone refers to the Gibson Les Paul 25/50 Anniversary model as “The Most Les: Les Paul’s Silver Anniversary is Your Golden Opportunity.” The ad prophesizes that “it’s the kind of guitar they’ll be talking about 25 years from now.”
The 25/50 model was issued to commemorate the 25th anniversary of the Les Paul model (a year late, since 1977 was actually the 25th year), and the 50th anniversary of Les Paul’s career in the music business. Gibson had learned that there was a market for anniversary model Les Pauls after the success of the 20th Anniversary Les Paul Custom in 1974. Thus, even though it sported a sales price of approximately $1,200.00 at the time, the Les Paul 25/50 model was a success, with shipping totals of 3,411 of these guitars during 1978 and 1979. It is reported that a few were also sold in 1980, but shipping records are not available for that year.
The 25/50 model is a distinctive model in the Les Paul lineage for many reasons, including the unique and intricate pearl and abalone “25/50″ headstock inlay design, creative use of silver and gold hardware combinations (e.g., the tuners are gold with silver buttons), abalone side dot marker inlays, beautiful flamed maple top, five piece flamed maple neck, split block parallelogram inlays (one of only two Les Paul production models to sport these inlays), large control cavity, gold truss rod cover inscribed with “Les Paul Anniversary”, brass nut, and a coil tap mini-switch (one of the few production Les Pauls with a coil tap until the Jimmy Page Les Paul was introduced).
In addition to the above unique features, the 25/50 had multi-ply binding on the front and back of the body and the front of the headstock, a volute, Nashville bridge with TP-6 fine tuning tailpiece, black speed knobs, Schaller style “Gibson” tuners, and Series VII pickups. These Series VII pickups were potted with a black, rubber-like material that fills the gold covers and makes these pickups virtually impossible to remove from their covers for repair.
The Les Paul 25/50 was available in tobacco sunburst, natural, wine red, and black. Based on the resale market, it appears that tobacco sunburst was predominant, followed by natural. Wine red and black are very rare. There has been a report of a few 25/50s in white. There are photos of a few 25/50s in what appears to be a lighter honey sunburst color, but it could be a lighter tobaccoburst under bright photographic lighting.
All 25/50s were made in Gibson’s Kalamazoo plant. The regular 8 digit serial number in “YDDDYSSS” format was used on the 25/50 (where “YY” is the year, “DDD” is the day of the year, and “SSS” is the production sequence number, with numbers below 500 used at Kalamazoo). In addition, the 25/50 has a four digit edition number, which presumably gave it that “limited edition” marketing image. The “Made in USA” stamp is also on the back of the headstock.
The 25/50 was considered a “special order” guitar, and Gibson ads suggested that all orders had to be completed by December 31, 1978. For original owners, a belt buckle with the “25/50″ logo was provided with the guitar. The 25/50 was shipped in a Protector case with red lining.
The neck of the 25/50 is of medium to large thickness. Frets are wide and of medium height. The Series VII pickups are powerful. The rhythm pickup on most 25/50s is a bit dark sounding. The coil tap allows for a variety of single coil sounds, and makes the 25/50 a versatile guitar sonically. The 25/50s are known for their burden on the shoulder. The three 25/50s profiled in this article weigh between 10 lbs. 5 oz. and 10 lbs. 8 oz.
As the Rolling Stone ad suggests, “the 25th Anniversary Les Paul looks like a work of art.” It is a very unique and ornate guitar in the history of Gibson Les Paul models, and is sought by many collectors.
Not bad – yet another ebay treasure.
The front of the guitar has a couple of relatively minor dinks in the lacquer, but considring this is 34 years old it’s in excellent condition.
The rear of the guitar carries a small amount of buckle rash, and the hip/chest contour has lost the lacquer for a small area.
Other than that it’s in excellent condition with only a small amount of fret wear to show for its years. All electronics are crackle free and fully functional. The original pickups have in the past received some flack – but mostly because they can’t be repaired. These are the original pickups and are fully functional. The Humbucker sound is thick in the neck and powerful in the bridge, the single coil sounds show less of a drop in output than my Jimmy Page Les Paul. There is significant wear to the gold plating on the pickup covers and bridge, but again I see this as commensurate with the age of the guitar.
The neck is comfortable and unmarked, the volute doesn’t get in the way. I’d head towards a 60’s neck as a descriptor more than a baseball bat 50’s style.